It's a beautiful spring day here at Pixy Central* and I'll have a seasonal refresh of the main site up this evening. But you, dear reader, get a sneak preview of the latest work from our wonderful Chelsea Rose:
* Actually, it's well into autumn down here, but we're having better weather this week than we did all summer, so I feel I can call it spring if I want to...
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Friday, March 16
Your Table Awaits At The Minx Cafe
Minx and Miko, drawn by the wonderful Chelsea Rose.
Looks like they've had to take up a part time job because I'm running late rolling out mee.nu. Hang in there girls!
Not his best. But then, his best is very, very good.
The Children of the Sky, Vernor Vinge
The long-awaited sequel to the classic A Fire Upon the Deep disappoints. Some interesting parts, but the villain of the piece is petty, stupid, and dull. Doesn't measure up to the original or the prequel.*
The Atrocity Archive, The Jennifer Morgue, The Fuller Memorandum, Charles Stross
I like most (not all, but most) of Stross's work, and these are some of his best. Think computational linguistics meets British spy thriller meets H. P. Lovecraft. Snow Crash meets Declare. Recommended if you like any of those things. (I was re-reading those after I tossed Zendegi on the eight deadly words pile.)
The Clockwork Rocket, Greg Egan
Has potential, still reading. It's about an amoeboid alien chick from another universe who is her species' Einstein-analogue. The science is laid on a bit thick at times - what I'm looking for is more of Egan's brilliant last-third-of-Schild's-Ladder** and so far this is intriguing but not quite it.
* Mind you, both of those won the Hugo award for best novel, so it had a lot to live up to.
** The first third wasn't bad either; the second third plodded, but the last third took wing and soared.
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I always thought the third in the series should have been A Sky Full of Fire, focused on the core expedition. I eagerly bought the new one anyway, but set it aside after the first few scenes, and haven't gone back yet. It just didn't grab me.
-j
Posted by: J Greely at Saturday, November 19 2011 03:33 AM (2XtN5)
2
I don't know if Stross is just very hit-or-miss for me, personally, or he's had a bit of a meltdown over the last half-decade or something. I really liked the beginning of his Family Trade series, and then it got uncomfortable... and then it got into "let's luxuriate in grotesque portrayals of genocide at the hands of the United States Hated Mordor" territory. Likewise, the Atrocity Archive was great, the Jennifer Morgue was acceptable, and the Fuller Memorandum was full of baby-eating American Christian fundamentalists, evil White Russians, and a protagonist descending into full-on malignant Hollywood Atheism. At least he managed to avoid presenting us with any heroic abomination-slaughtering commissars, but you could feel him trembling with manful restraint on that subject.
Posted by: Mitch H. at Saturday, November 19 2011 04:23 AM (jwKxK)
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The portrayal of US politics in the Family Trade series is, frankly, juvenile lefty bullshit, and certainly marred those stories for me too.
I agree that The Fuller Memorandum was the weakest of the three, but I still thoroughly enjoyed it, and it never ticked me off the way those parts of the Family Trade books do.
Posted by: Pixy Misa at Saturday, November 19 2011 08:14 AM (PiXy!)
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What's wrong with heroic abomination-slaughtering commissars? I quite like the Ciaphas Cain series...
Posted by: Avatar_exADV at Saturday, November 19 2011 09:06 AM (pWQz4)
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A Warhammer Expy of Harry Flashman? OK, Avatar, you've sold me on checking out the omnibus. Although the Flashman effect is a bit too culturally nihilistic for me to tolerate Flashman himself in more than pennypacket doses, so we'll see...
Posted by: Mitch H. at Tuesday, November 22 2011 05:29 AM (jwKxK)
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It's as close to humor as you'll find in the Warhammer universe, except for orks.
Honestly, I've never read the Flashman stuff.
Posted by: Avatar_exADV at Tuesday, November 22 2011 06:34 AM (GJQTS)
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Just wanted to let you know that your latest spammer also spammed me, which means he has a login.
Posted by: Steven Den Beste at Wednesday, November 23 2011 02:11 AM (+rSRq)
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Thanks. I'll get rid of them and ban them from the server.
Posted by: Pixy Misa at Wednesday, November 23 2011 10:46 AM (PiXy!)
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Yes, Atrocity Archive is a classic. Sadly, I learned in conversation with Stross that is a semi-rabid leftist, which colored my reading of his books -- when he had Dick Cheney nuking the United States, the stupid overcame the awesome and I haven't read him much since. I had a similar problem with Scalzi, who is (sadly) not just a leftist but insists on being an utter douche about it. The author of those two wonderful Takeshi books also apparently hates capitalism bitterly. What is the connection between leftism and brilliant fiction? The Hayekian conceit again, I suppose.
Children of the Sky was one of those books that seemed to be born out of inertia, it just didn't go anywhere or do anything new. It should have ended with the Blighter fleet in orbit. And FFS, (spoiler!) how do they not kill Nevil at the end? I mean, come on.
At any rate, I have high hopes for Trent Zelazny and Tony Daniel, and I am firmly resolved to avoid learning of any political views they might have.
Posted by: TallDave at Sunday, November 27 2011 04:05 PM (lNW+B)
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The first omnibus of the Caiphas Cain series was pretty nifty - kind of like Flashman, but not nearly as harsh, the protagonist isn't as much of a secret shit as Harry Flashman. In fact, he bears more resemblance to that Horatio Hornblower expy from a few years back, what was the name.. Nicholas Seafort, David Feintuch's space opera series with all the "Hope" titles.
Posted by: Mitch H. at Wednesday, December 07 2011 04:52 AM (jwKxK)
I've always liked Guy Kay's work, even the Fionavar Tapestry which was an early work and rather derivative. Tigana was and remains the standout; the theme of a country not merely conquered but wiped from history simply resonates.
His more recent works, starting with The Lions of Al-Rassan, have each recast a particular time and place in history into fantasy terms.
With Under Heaven he brings Tang Dynasty China very effectively to life. The story doesn't work perfectly; the latter third of the book veers from the personal voyage to Great Events and loses much of its earlier charm. But it remains compelling even so.
Less so (so far) with The Last Light of the Sun, for two reasons. First, there is no central character, and none of the major characters gets enough time to really develop. Second, it's set in 10th century Scandinavia and Britain, which is pretty much a crapsack world - unlike Sarantium (the Byzantine Empire) or Kitai (China), it has no charms to offer. All you can do is wait for the arrival of the Black Death and the collapse of feudalism; by the 15th century things will be picking up a bit. I haven't finished the book yet, but mid-way through I'm not very much inclined to.
If you're not familiar with Kay I definitely recommend picking up Tigana. I'd suggest taking the books in order from there.
Update: I did finish The Last Light of the Sun, and... Well, it's not quite the same telegraphed downer ending as The Lions of Al-Rassan, but it's near enough.
A consistent theme through both books is that of destiny; indeed, Kay has something of a habit of clubbing the reader over the head with this. For a much defter handling of that subject, you can't go past Lois McMaster Bujold's Chalion books - The Curse of Chalion and Paladin of Souls. Now those I can recommend unreservedly.
Book 1: The Furies of Calderon
Book 2: Academ's Fury
In this work, Butcher asks the question: Does unearned power turn people into amoral cretins? And answers it with a resounding yes.
The only problem is, that accounts for the entire dramatis personae.
There is still something of a trainwreck fascination at work, but I can't say I've actually enjoyed the series so far. The contrast to the Dresden Files novels couldn't be more marked: Harry Dresden has earned the readers' respect and support by fighting and sacrificing for every inch he has gained.
The characters infesting the Codex Alera, on the other hand, are a bunch of whiny children. Whiny psychopathic children. With learning disabilities.
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Great. So, I couldn't keep reading "Dresden" because it seemed like for every inch of ground Harry gained, someone pulled a new rug out from under his feet. "Unrelentingly grim" was my verdict after a few books. Looks like this is another Butcher series I'll have to avoid... whiny psychopathic children? That was my verdict of the Robert Jordan books, which I gave up on partway through the fifth volume...
Posted by: GreyDuck at Tuesday, June 07 2011 12:44 AM (3m7pZ)
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I'll have to differ with you there. Not just Harry, but all the major characters in the Dresden Files get their crowning moments of awesome, because they had to fight so hard for it. It's grim, but by no means unrelenting.
Posted by: Pixy Misa at Tuesday, June 07 2011 01:06 AM (PiXy!)
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Depends on how far you got. In the first few, Butcher was still feeling his way around the world, and it had a bit of monster-of-the-week about it. He broke out of that, and managed to acquire an excellent supporting cast. There is a general escalation of power on both sides, but not a real Sorting Algorithm of Evil; Harry is usually in way, way over his head, and wins by being tough, smart, lucky, and by earning the support of some very interesting friends and enemies. The villains don't have to keep getting more powerful to pose a real challenge to him.
The short-story collection has some real gems as well, although the first few show how far he's come as a writer. I think it includes everything except the recent story from Marcone's point of view, which is a lot of fun.
-j
Posted by: J Greely at Tuesday, June 07 2011 01:30 AM (2XtN5)
4
The Codex Alera does get better, though Tavi is no Harry Dresden, even by the end.
Apparently Butcher wrote the series on a bet; he said that you could take the worst idea and with good writing, turn it into a good story.
The idea proposed was combining the lost Roman legion tale with Pokemon.
And of course, I can't find the source for that any more. I didn't make it up, I swear.
Posted by: wfgodbold at Wednesday, June 15 2011 07:18 AM (uqErj)
5The idea proposed was combining the lost Roman legion tale with Pokemon.
Hah! That's exactly what it is!
Posted by: Pixy Misa at Wednesday, June 15 2011 12:34 PM (PiXy!)
The words are pretty, but I have no interest in the main character whatsoever, and 70-odd pages in there are no other characters, only cardboard cutouts.
Taking the broken hero and winding him up and setting him on his way again, Curse of Chalion-style, could have worked well. But a two-thousand-page flashback? No. Just no.
Zero silences out of four.
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It plays during the Basel section of the BBC's The Story of Maths, about the Bernoulli family. I knew it, but couldn't place it, and it's been driving me mad for several minutes.
If you're not familiar with the piece, it's this:
(I think the producer of the series is a Penguin Cafe Orchestra fan; now that I've placed the Harmonium piece, I'm pretty sure their Perpetuum Mobile was in there too.)
Update: Just purchased Preludes, Airs & Yodels, their compilation album, on iTunes. That cost me 98¢; the rest was covered by the gift card I got for participating in an Adobe survey last year. Yeah, I haven't been buying much music of late. That $30 iTunes gift card has lasted me through two years of random episodes of Name That Tune!
Notice how the keyboard player is holding a certain pair of notes constantly with his left hand?
You could play that same piece using a bagpipe instead of the harmonium. The constant notes would be the bagpipe drone.
It even makes me wonder if it was originally a bagpipe piece.
Posted by: Steven Den Beste at Tuesday, October 12 2010 03:09 AM (+rSRq)
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I have one of their albums (actually on cassette, but let's call it an album, neh?), bought it from a bargain bin because of the group's name some 25 years ago... at the time, I hated it. Now? I appreciate them quite a bit more.
Pixy, could you shoot me an e-mail please? Have a non-blog related question for you...
Posted by: Wonderduck at Tuesday, October 12 2010 09:57 AM (2MleY)
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As to the bagpipes idea: This was an original composition; the name is quite literal. The guy who started the PCO found the harmonium in question sitting in a backstreet in Kyoto one day, took it to a friend's house, and composed the piece there.
Posted by: Pixy Misa at Tuesday, October 12 2010 01:33 PM (PiXy!)
I actually have a couple of her CDs, but not with that track, so I bought it with the iTunes card Adobe gave me for telling them to for God's sake support their subscription product coherently.
If that makes sense.
It bubbled back up into consciousness just now, so I goggled the half-remembered lyrics, checked it on utube*, and bought it in the space of a couple of minutes.
The song came out in 1990, at which time none of that was possible.
* My Y*****e account has been suspended, so pppppppt to them.
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Sunday, May 30
Into Each Season Of Doctor Who Some Suck Must Fall
Or so it would seem. And this week's episode is all that. 14 minutes in and it's so bad that I've stopped watching five times.
Update: Okay, it picked up a bit after that. But a very clumsily-written episode, which is particularly bad because it hit a couple of very important points for the season story arc.
Because I require logins to comment, I don't get a lot of spam. In fact, until today it's only happened one time. But the guy who seems to be spamming you today has also been spamming me.
I've deleted four, and I just switched one to "hidden", because of this: I want to ban him, but I can't figure out what to use. He presumably has a mee.nu account and is logged in, but he isn't using his login name, or his login page, or anything which the ban page accepts as an ID.
It's kind of like black magic where you need to know someone's true name in order to cast a death spell on him. How do I figure out this guy's true name in order to add him to the ban list?
(I assume you're probably going to use the Pixy ban hammer on him, but I'm reporting this because I think it's a bug: there's no way in the admin comments page for me to find out the true identity of a commenter.)
Posted by: Steven Den Beste at Wednesday, June 02 2010 12:04 PM (+rSRq)
Posted by: Pixy Misa at Wednesday, June 02 2010 03:28 PM (PiXy!)
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This new season has been a little patchy. Definitely a very different take on the Doctor.
That he isn't the only solution to the problem. Some terrific setups and ideas but very uneven.
I'll weather the ups and downs anyways.
Posted by: Andrew at Thursday, June 03 2010 11:44 PM (cB03i)
Book 5 of Charlie Stross's The Merchant Princes. The initial adventure story has, at this point, devolved into a seven-sided war spanning
four universes which is just the way I like it.
Update: One problem with this series is that Stross appears to have let his political views colour the story, and his political views are asinine. If those aren't his actual views, he's still badly mismanaged that part of the story.
1
I'm through three of those, and sort of taking a break before picking up #4. I like Stross well enough (just got into him midway through last year) but there's something just a bit off-kilter about his storytelling, I find I can only take him in one-or-two-book doses.
Posted by: GreyDuck at Friday, March 19 2010 11:51 PM (7lMXI)
2
There is in some of his books, yes. The more hard-SF ones like Iron Sunrise and the lighter ones seem to be free of this, Merchant Princes has a touch of it, but Accelerando I found unreadable.
I've also got a new Glen Cook SF novel and a new Alastair Reynolds after that, so I think a nice quiet weekend is called for.
Posted by: Pixy Misa at Saturday, March 20 2010 12:02 AM (PiXy!)
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Book 6 recently appeared here, I'll get to it shortly, I think. IIRC, it would not be wrong to characterize Stross as socialist, economically speaking, is that what you thought was leaking?
Posted by: Kayle at Saturday, March 20 2010 08:26 PM (hphNU)
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The basic economics seem reasonable to me (I'm no economist) - a big part of the plot is that the Merchant Princes are running a, what's the term, mercantilist economy, and Miriam is trying to introduce them to capitalism.
On the topic of political economy, particularly with regard to our own world-analogue (he slips in some facts to indicate that it's not precisely our world), he's talking nonsense. And since he appears to actually hold the views expressed by the plot in that respect... Yeah.
Bit of a shame, since he's a fine writer and (I've chatted with him briefly online) a genuinely nice guy. It's not enough to ruin the story, but it still detracts from it.
Posted by: Pixy Misa at Sunday, March 21 2010 12:02 AM (PiXy!)
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IIRC, Stross is some sort of cognitively dissonant left-wing libertarian-anarchist, who's nominally in favor of the free market, but can't resist all sorts of altruistic rentseeking giveaways which necessitate governmental tyrannies, while always pining for pie in the Singularity, in a Marxist withering-away-of-the-state sense.
That, and he's got a simply monstrous case of revolutionary fetishism. It creeps into every one of his books I've read.
What are the facts which set his Earth Prime apart from the real world, Pixy? I didn't notice any in the first four volumes; I've not bothered reading the fifth one yet.
Posted by: Mitch H. at Sunday, March 21 2010 03:30 AM (jwKxK)
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The Earth Prime-ness doesn't really pop up until the fifth book. I kind of get the impression he wasn't intending it to be that way, but then real world political events meandered away from his plot setup.
Posted by: Mark at Sunday, March 21 2010 05:30 AM (bBxKr)
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I seem to recall there was something in book four, but can't remember exactly what it was.
But in book five - Chief Justice who?!
Posted by: Pixy Misa at Sunday, March 21 2010 10:58 AM (PiXy!)
Idea popped into my head for a story set in the Mina Smith universe. Mina's a customs agent, but this time our protagonist is an accountant. As much an accountant as Mina is a customs agent, anyway.
Just a snippet that I'll likely never finish, but anyway... more...
It kind of reminds me of H. Beam Piper's Paratime Police stuff. Not bad at all.
You wrote this the same week you were trying to write your own SQL language? The Handicapper General's gonna come get you if you're not careful, Harrison.
Posted by: Mitch H. at Tuesday, February 16 2010 03:03 AM (jwKxK)
3
I haven't actually read any Piper in decades. I'm sure there's a germ of an idea or three borrowed from there, as well as the whirling SF cosmos in general. Mina Smith is the protagonist in the original (similarly fragmentary and unpublished) stories I've set in the same universe, but earlier in the timeline, and as I indicated, a customs agent tasked to stamp out paratemporal contraband. If she's not retired by this point, she's probably a very senior figure in the Agency.
There's an awful lot that our accountant friend doesn't know, for all his advanced tech.
It's not a SQL language, though, just a programmatic database with some nice query-by-example features. Intentionally not Turing-complete. Though of course every protocol evolves until it is...
Posted by: Pixy Misa at Tuesday, February 16 2010 03:37 AM (PiXy!)
1
Pixy, I just got hit by a spambot... and lost the past 7 days worth of comments on my sidebar. They're still in the posts, mind. Just like the last time... except this guy is selling jerseys instead of boots.
Posted by: Wonderduck at Friday, November 20 2009 01:08 PM (C32SO)
2
Oh, and I've saved an example of the jerk's work in my "edit comments" page, if you want to take a look.
Posted by: Wonderduck at Friday, November 20 2009 01:11 PM (C32SO)
There's a problem with spam and the way the system finds your recent comments; it doesn't quite all work. It will fix itself once I clear out the spam though.
The system looks at the most recently updated posts to find the most recent comments, but while spam counts as an update, it doesn't show in the recent comments list, so it all goes funny.
Posted by: Pixy Misa at Friday, November 20 2009 10:24 PM (PiXy!)
I'm running way behind on this one - it's been a hectic month, developing new systems, putting out forest fires, cruising the Aegean - but I have enough tracks together now to at least put up an early, incomplete relase.
Another reason for delay is that Summer Theologica has expanded into a double album, which wasn't at all as planned. I'll outline the tracks first, then paste in links as the files get uploaded to the server.
You can find our other recent works at SemiAutumnatic and Winter Collection. Part four of our tenth-anniversary collection, Unsprung, is scheduled to be released next month, if I can persuade the girls to get back into the studio.
Update: 14 tracks uploaded and ready to go.
Update: 4 more tracks - Gödel's Dilemma, Sex, Drugs, and Rock & Roll.
Update: And two more, which I think will be all for tonight: Laplace's Demon and Russell's Teapot. Who knew that Bertrand Russell could get funky?
Updte: Two more tracks - Socrates' Method and Hume's Problem. Nearly done! There will be a third disc at some point with studio sessions of the live recordings and some remixes. I'm also going to move a couple of tracks around... Well, you'll see.
Update: Uploaded the closing tracks of discs 1 & 2: Anak Krakatau and Thera, respectively.
Update: All tracks and mixes uploaded. Done! That leaves me, oh, a whole day to get the next album out...
Robert Browning was one of the few writers I studied in high school English that I both respected and enjoyed. Shakespeare too, though his plays are far better seen than read. (The performance of King Lear we went to see got a standing ovation from a crowd of teenagers.)
The Seekers did take the melody for The Carnival Is Over from the Russian folk song Stenka Razin.
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Thursday, July 26
Font Set Two Is In The Water!
Font set two, featuring the work of the astoundingly prolific Manfred Klein. I've only used a small selection of his work, the fonts I felt best suited to blog banners... Out of what I've downloaded so far. That still makes for over 160 fonts.
Just as I was preparing this post, I heard back from Manfred giving me the go ahead. So we're cool for school.
Samples in the extended entry; 164 files, total about 1.3MB.
Pretty cool, but some of those are basically illegible.
When I first loaded this page, the comment entry box and the Preview and Post buttons had become detached from the editor bar and were floating somewhere in the middle of the post.
When I clicked into the box, it jumped down here where it's supposed to be, but right now I'm looking at the Preview and Post buttons still loitering above the MyMedieval font. This is probably an IE specific problem. I've seen something similar happen on other mee.nu blogs.
Let me see what happens when I hit Preview.
*click*
Looks like everything is in its place now.
Posted by: Will at Friday, July 27 2007 01:26 AM (olS40)
Pretty cool, but some of those are basically illegible.
True. Some of them are just there for stylistic value; others are readable at larger sizes. Font Set One is a cleaner set of designs, reflecting the different intents of the two designers.
Since they're just for blog banners and no-one is forced to use any of them, I'm not going to worry if some are hard to read. (The really illegible ones I've already weeded out...) I wanted to provide a nice range of designs even at the expense of legibility.
The one where everything is trilaterally symmetrical is actually legible at larger sizes. Sort of.
Posted by: Pixy Misa at Friday, July 27 2007 01:48 AM (PiXy!)
3
Oh, and the one that is entirely illegible is braille. (Which you might have guessed.)
Posted by: Pixy Misa at Friday, July 27 2007 01:51 AM (PiXy!)
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You must be talking about the MK-Kleidos Chaplina font. I still can't make some of the letters out. The 19 CRT at home set to 1600 x 1200 was impossible. The 19" LCD at work set to 1280 x 1024 isn't much better. I had to hover over the image for the alt to even figure out the name.
Posted by: Will at Friday, July 27 2007 04:02 AM (SOx9v)
5
Yep. But in a larger font size, it looks like this:
Not very useful below about 60-point, I admit.
Posted by: Pixy Misa at Friday, July 27 2007 04:23 AM (PiXy!)
The problem I've been having is with licensing. There's a ton of fonts out there that are cheap or free, but 98% of the time there are restrictions on use. You can't use it for commercial purposes, or it's only licensed for one computer, or whatever. There are very, very few fonts that are under open-source style licenses.
Fortunately I was able to contact these two designers and they generously agreed to let me use these fonts. Otherwise I'd be limited to a handful of typefaces like Gentium, Charis, and Bitstream Vera, or paying hundreds of dollars per font for a site license.
Posted by: Pixy Misa at Friday, July 27 2007 04:01 PM (PiXy!)
Now that you have a real swarm of them, and given that they're mainly just for creating logos, you probably don't need any more.
A site license would be a real problem. IIRC, you're planning on selling this software eventually, aren't you? It's not just about creating a hosting service.
If you needed a site license for fonts, then so would everyone who bought your software. Obviously unacceptable.
Posted by: Steven Den Beste at Friday, July 27 2007 05:48 PM (+rSRq)
The first (of two) starter font sets for the theme builder is ready. I hope to finish the second set today, and then finish coding the theme builder itself.
Samples are in the extended entry. This might take a while to load - it's about 3MB in 152 files. (Update: Oops, they were 32-bit images. Squished down to 8-bits now, so it's only about 1MB.)
As I mentioned before, these are all the work of the lovely and talented and all-round nice guy Nick Curtis. Set two will highlight another font designer, Manfred Klein.*
* Assuming Manfred is okay with this. I've emailed him about the project and hope to hear back soon. Unfortunately, another designer whose work I very much like, Derek Vogelpohl, has disappeared from the net and can't be contacted. Derek's fonts are under a mixture of freeware and non-commercial-only licenses, so I'm hesitant to use any of them without his consent.
This is intended to make it easy to produce image galleries and photo albums where you need to produce images in multiple resolutions. Also, it will be used for user avatars: Since mee.nu users have complete control over their site layouts, there won't be a single fixed size for avatars, and resizing in the browser produces ugly images.
The advantages (apart from the improved quality) are that it makes it very easy to keep the image proportions, and it produces smaller files for fast loading times. (And less strain on your bandwidth.) Doing high-quality image processing is fairly CPU intensive, but we already have 16 CPUs at our disposal, so that is not anticipated to be a problem.
One hitch: This doesn't work for animated GIFs. Neither does the image processing function in the file module; the GIF library I'm using is lacking in several respects.
1
I hope that image resizing isn't being done on the fly every time a page is loaded; that sounds like a real glutton for CPU cycles. But given that it's a tag, I suspect that's the case.
Posted by: Steven Den Beste at Sunday, June 03 2007 08:32 AM (+rSRq)
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It's cached (both on the browser and the server).
Posted by: Pixy Misa at Sunday, June 03 2007 12:26 PM (PiXy!)
Posted by: Pixy Misa at Sunday, June 03 2007 01:58 PM (PiXy!)
5
The other reason I'm not particularly worried about CPU load is that our standard cluster node is now a quad-core Xeon. We're not short of CPU power.
And that only costs us 10% more than the dual-core Opterons we originally budgeted for, while delivering 2.5x the performance.
Also, the image engine automatically switches to a less CPU intensive algorithm for large target sizes. Still higher-quality than browser scaling, of course.
Posted by: Pixy Misa at Sunday, June 03 2007 02:41 PM (PiXy!)
6
The comparison with the browser is rather impressive.
Posted by: Pete Zaitcev at Tuesday, June 05 2007 10:19 AM (9imyF)
Brickmuppet is off on active duty (Coast Guard), but has left us with this fine bit of pinup art in his absence. Seeing it stirred an ancient (in web time) memory, and I followed the link to the artist's page (some NSFW), and there she was:
1
The chain segment on the hip seems hanging wrong.
Posted by: Pete Zaitcev at Thursday, May 31 2007 01:13 PM (9imyF)
2
I must be doing something wrong, because I didn't see that particular picture there. No doubt at all, however, that those pictures are stellar. (Or that some of them are NSFW.)
Posted by: Steven Den Beste at Thursday, May 31 2007 02:05 PM (+rSRq)
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Never mind. I found the others. (stupid stupid stupid...)
Posted by: Steven Den Beste at Thursday, May 31 2007 02:06 PM (+rSRq)
4
I have bad news for you, Pete. You are suffering from Stage Three Engineer's Disease. There is no cure. You will spend your retirement building live steam models.
(Yeah, it's not a proper catenary. In eight years, I hadn't noticed that. Guess I'm not Stage Three yet.)
Posted by: Pixy Misa at Thursday, May 31 2007 02:07 PM (PiXy!)
5
I'm put in mind of the final MST3k episode, "Diabolik":
Mike: Those are some dangerously steep stairs. Crow: You're looking at the stairs? Oh, Mike honey...
(And now I'm feeling stupid: I can't find the above picture on the artist's site. *facepalm*)
Posted by: GreyDuck at Thursday, May 31 2007 02:36 PM (CdXfx)